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#4981314 - 08/23/10 08:59 AM lighting technique from Joe McNally....
scootergeek Offline
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Registered: 07/24/00
Posts: 46248
Loc: East of St. Louis
I'm not going to copy all the text, but just include the link because you need to see the images too (and I'm way too lazy to copy all that). Anyway, it's a cool (at least I think so), relatively cheap way to create shadowless lighting...

http://www.joemcnally.com/blog/2010/08/23/small-flash-into-big-flash-cheap-and-easy/


cheers,
scott
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#4981333 - 08/23/10 09:17 AM Re: lighting technique from Joe McNally.... [Re: scootergeek]
PA2KFBPSI Offline
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Registered: 08/09/01
Posts: 2893
I saw that post this morning and I do not like this catch light for shoulder/head portraits.



I would use this for full body portraits.

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#4981757 - 08/23/10 11:37 AM Re: lighting technique from Joe McNally.... [Re: PA2KFBPSI]
scootergeek Offline
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Registered: 07/24/00
Posts: 46248
Loc: East of St. Louis
It could be cool if you set it up right. Imagine using a cable or IR release on the camera with a flag cut out in a recognizable shape surrounding the camera. There's all kinds of stuff you could do with that. Including using shaped flags on the insides of the v- flats to change that rectangular catch light to some other shape.

cheers,
scott
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#4981848 - 08/23/10 12:13 PM Re: lighting technique from Joe McNally.... [Re: scootergeek]
PA2KFBPSI Offline
Post Master


Registered: 08/09/01
Posts: 2893
Yep, I was thinking about it more and even a person standing there who doesn't look like they are holding a camera nor like they have positive motive could be very creepy and interesting. Like a kid seeing the boogie man.
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#4982675 - 08/23/10 04:08 PM Re: lighting technique from Joe McNally.... [Re: PA2KFBPSI]
Nate047 Offline
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Registered: 03/03/03
Posts: 28558
Loc: La La Land, CA
Don't like the look of that, sorry but it's mad boring IMO. However, the eye stuff he talks about at the beginning of that blog post is awesome, I have seen that very article a few times. Easily an example of some of the finest photojournalism of all time.

Nate
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